dior a-line 1955

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dior a-line 1955*******Vogue hailed the A line as “the most delicate incarnation – and the prettiest triangle since Pythagoras”! A symbol of this success, the actress Olivia de Havilland wore the A suit for her wedding in 1955.Spring 1955’s “A-line,” with its undefined waist and smooth silhouette that widened over the hips and legs, resembled a capital “A.” Some of Dior’s designs simulated Second .

The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket worn over a dress with a very full, pleated skirt". Although an A-shape, this silhouette was not identical to what is now understood to embody the A-line idea. That idea was given its definitive expression and popularized by Dior's successor, Yves Saint LaurentThe ‘A-line’ was the most influential of a series of fashion collections created by French couture designer Christian Dior during the mid-1950s, which all departed from the outdated post-war silhouette by de .

The A-Line is one of the most flattering shapes for all body types. In 1955, Christian Dior created the a collection based on 3 different letters; H, A and Y. After that Yves Saint Laurent caught onto the idea .Dior named his Spring/Summer 1955 collection the ‘A’ line, as the letter ‘perfectly illustrated’ the new silhouette that featured narrow shoulders, loosely defined waists and flared skirts. This ballgown was worn by the .Yves Saint Laurent would spend two years working alongside Christian Dior, learning the secrets of haute couture from the master himself. Collections comprised of some two hundred designs would emerge from .

PARIS, Feb. 1--A tremendous and continuous ovation greeted Christian Dior's new A-line in the showing of his collection here today. View Full Article in Timesmachine »

Item # X90-78154. evening gown. Fashion illustration. CHRISTIAN DIOR COUTURE. Detailed description. Dior's "A" line for evening -- written with a beautiful flourish: a dress of white lace that streams from a slender .Christian Dior and Mrs. Cappelle de Menou are participating in a conference on “The Aesthetics of Fashion,” on 3 August 1955 in the Sorbonne's Grand Amphithéâtre in Paris.

Vogue hailed the A line as “the most delicate incarnation – and the prettiest triangle since Pythagoras”! A symbol of this success, the actress Olivia de Havilland wore the A suit for her wedding in 1955.Spring 1955’s “A-line,” with its undefined waist and smooth silhouette that widened over the hips and legs, resembled a capital “A.” Some of Dior’s designs simulated Second Empire and other historical styles, but he was also creating menswear, trompe-l’oeil detailing, and soft-to-hard juxtapositions, making them part of the modern .The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. [2] The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket .The ‘A-line’ was the most influential of a series of fashion collections created by French couture designer Christian Dior during the mid-1950s, which all departed from the outdated post-war silhouette by de-emphasising the waist in favour of cleaner lines and a more casual and practical look.

The A-Line is one of the most flattering shapes for all body types. In 1955, Christian Dior created the a collection based on 3 different letters; H, A and Y. After that Yves Saint Laurent caught onto the idea and started to use the ‘trapeze line’ (flaring from shoulders down).Dior named his Spring/Summer 1955 collection the ‘A’ line, as the letter ‘perfectly illustrated’ the new silhouette that featured narrow shoulders, loosely defined waists and flared skirts. This ballgown was worn by the young debutante (and later novelist) Emma Tennant at her coming out ball on the 27th June 1955.

Yves Saint Laurent would spend two years working alongside Christian Dior, learning the secrets of haute couture from the master himself. Collections comprised of some two hundred designs would emerge from sketches, toiles, and fittings. Saint Laurent was first entrusted with decorating the boutiques.PARIS, Feb. 1--A tremendous and continuous ovation greeted Christian Dior's new A-line in the showing of his collection here today. View Full Article in Timesmachine »

dior a-line 1955 la galerie diorItem # X90-78154. evening gown. Fashion illustration. CHRISTIAN DIOR COUTURE. Detailed description. Dior's "A" line for evening -- written with a beautiful flourish: a dress of white lace that streams from a slender bodice to a wide sweep of skirt. To cross the "A," a white ribbon Empire belt.

Christian Dior and Mrs. Cappelle de Menou are participating in a conference on “The Aesthetics of Fashion,” on 3 August 1955 in the Sorbonne's Grand Amphithéâtre in Paris.

Vogue hailed the A line as “the most delicate incarnation – and the prettiest triangle since Pythagoras”! A symbol of this success, the actress Olivia de Havilland wore the A suit for her wedding in 1955.dior a-line 1955Vogue hailed the A line as “the most delicate incarnation – and the prettiest triangle since Pythagoras”! A symbol of this success, the actress Olivia de Havilland wore the A suit for her wedding in 1955.

Spring 1955’s “A-line,” with its undefined waist and smooth silhouette that widened over the hips and legs, resembled a capital “A.” Some of Dior’s designs simulated Second Empire and other historical styles, but he was also creating menswear, trompe-l’oeil detailing, and soft-to-hard juxtapositions, making them part of the modern .

The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. [2] The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket .

The ‘A-line’ was the most influential of a series of fashion collections created by French couture designer Christian Dior during the mid-1950s, which all departed from the outdated post-war silhouette by de-emphasising the waist in favour of cleaner lines and a more casual and practical look.

la galerie dior The A-Line is one of the most flattering shapes for all body types. In 1955, Christian Dior created the a collection based on 3 different letters; H, A and Y. After that Yves Saint Laurent caught onto the idea and started to use the ‘trapeze line’ (flaring from shoulders down).Dior named his Spring/Summer 1955 collection the ‘A’ line, as the letter ‘perfectly illustrated’ the new silhouette that featured narrow shoulders, loosely defined waists and flared skirts. This ballgown was worn by the young debutante (and later novelist) Emma Tennant at her coming out ball on the 27th June 1955.Yves Saint Laurent would spend two years working alongside Christian Dior, learning the secrets of haute couture from the master himself. Collections comprised of some two hundred designs would emerge from sketches, toiles, and fittings. Saint Laurent was first entrusted with decorating the boutiques.PARIS, Feb. 1--A tremendous and continuous ovation greeted Christian Dior's new A-line in the showing of his collection here today. View Full Article in Timesmachine »

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dior a-line 1955|la galerie dior